#105: Tumbleweeds

Tumbleweeds, by Leila Meacham

(New York: Grand Central Publishing, 2012)

Summary:
"Recently orphaned, eleven-year-old Cathy Benson feels she has been dropped into a cultural and intellectual wasteland when she is forced to move from her academically privileged life in California to the small town of Kersey in the Texas Panhandle where the sport of football reigns supreme. She is quickly taken under the unlikely wings of up-and-coming gridiron stars and classmates John Caldwell and Trey Don Hall, orphans like herself, with whom she forms a friendship and eventual love triangle that will determine the course of the rest of their lives. Taking the three friends through their growing up years until their high school graduations when several tragic events uproot and break them apart, the novel expands to follow their careers and futures until they reunite in Kersey at forty years of age. Told with all of Meacham's signature drama, unforgettable characters, and plot twists, readers will be turning the pages, desperate to learn how it all plays out."

Opening Line:
"The call he'd been expecting for twenty-two years came at midnight when he was working late at his desk."

My Take:
Silly, entertaining, but forgettable fluff. We all have our guilty pleasures; this one wasn't the best of its kind I've read, but it wasn't the worst, either. That's all.

#104: Daughter of Fortune

Daughter of Fortune, by Isabel Allende 

(translated by Margaret Sayers Peden)

(New York: Harper Perennial Modern Classics, 2008)

Summary: 
"An orphan raised in Valparaiso, Chile, by a Victorian spinster and her rigid brother, vivacious young Eliza Sommers follows her lover to California during the Gold Rush of 1849. Entering a rough-and-tumble world of new arrivals driven mad by gold fever, Eliza moves in a society of single men and prostitutes with the help of her good friend and savior, the Chinese doctor Tao Chi'en. California opens the door to a new life of freedom and independence to the young Chilean, and her search for her elusive lover gradually turns into another kind of journey. By the time she finally hears news of him, Eliza must decide who her true love really is"

Opening Line: 
"Everyone is born with some special talent, and Eliza Sommers discovered early on that she had two: a good sense of smell and a good memory."

My Take:
Maybe it's because I'm now getting into the more recent parts of my backlog, or maybe it's just that Isabel Allende is a brilliant writer, but when I decided it was time for a Latin American-themed flight of books, this was what I had in mind. (The fact that the protagonist's name is Eliza doesn't hurt, but I'd have loved Daughter of Fortune anyway.) Exciting adventure story with just enough twists and turns, and great characters. Just blogging about it and remembering how much I enjoyed it is almost enough to make me look forward to my long commute tomorrow and listening to Ines of My Soul. Almost.
 

#100: Between You and Me

Between You and Me, by Emma McLaughlin and Nicola Kraus

(New York: Atria Books, 2012)

Summary:
"Twenty-seven-year-old Logan Wade is trying to build a life for herself far from her unhappy childhood in Oklahoma. Until she gets the call that her famous cousin needs a new assistant -- an offer she can't refuse.

"Logan hasn't seen Kelsey in person since their parents separated them as kids; in the meantime, Kelsey Wade has grown into Fortune Magazine's most powerful celebrity. But their reunion is quickly overshadowed by the toxic dynamic between Kelsey and her parents as Logan discovers that, beneath the glossy facade, the wounds that caused them to be wrenched apart so many years ago have insidiously warped into a showstopping family business.

"As Kelsey tries desperately to break away and grasp at a 'real' life, beyond the influence of her parents and managers, she makes one catastrophic misstep after another, and Logan must question if their childhood has left them both too broken to succeed. Logan risks everything to hold on, but when Kelsey unravels in the most horribly public way, Logan finds that she will ultimately have to choose between rescuing the girl she has always protected ... and saving herself."

Opening Line:
"'Okay, we're coming up on our final hill,' Sandra, my instructor. puffs into her microphone, reaching out from her bike to dim the spin room's lights even further."

My Take:
Poor McLaughlin and Kraus. While I'm sure they're laughing all the way to the bank, I think by now it's safe to say that they're unlikely to ever have another zeitgeist-grabbing megahit anywhere close to what they did with The Nanny Diaries. You and Me was good enough, an entertaining, engaging few days' read -- but not so memorable and compelling that I can picture where I was and what else was going on while I read it (in contrast to Dedication, for example, which wasn't really much better but does conjure up my room in the Colonial Building on Boylston Street). This one does a lot of hinting at some deep, dark back story behind Logan and Kelsey's childhood separation, and at the creepiness of Kelsey's overly close relationship with her parents, but never delivers anything scandalous or surprising enough to merit all the ominous foreshadowing. As a story of Logan, girl next door who stumbles into the bright lights, big city of celebrity and finds it's not all it's cracked up to be, it's OK, but not terribly memorable. 

#91: An Available Man

An Available Man, by Hilma Wolitzer

(New York: Ballantine Books, 2012)

Summary:
"In this tender and funny novel, award-winning author Hilma Wolitzer mines the unpredictable fallout of suddenly becoming single later in life, and the chaos and joys of falling in love the second time around. When Edward Schuyler, a modest and bookish sixty-two-year-old science teacher, is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. Even an attractive neighbor offers herself to him.

"The problem is that Edward doesn't feel available. He's still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching. But then his stepchildren surprise him by placing a personal ad in The New York Review of Books on his behalf. Soon the letters flood in, and Edward is torn between his loyalty to Bee's memory and his growing longing for connection. Gradually, reluctantly, he begins dating ('dating after death,' as one correspondent puts it), and his encounters are variously startling, comical, and sad. Just when Edward thinks he has the game figured our, a chance meeting proves that love always arrives when it's least expected.

"With wit, warmth, and a keen understanding of the heart, An Available Man explores aspects of loneliness and togetherness, and the difference in the options open to men and women of a certain age. Most of all, the novel celebrates the endurance of love, and its thrilling capacity to bloom anew."

Opening Line:
"Edward Schuyler was ironing his oldest blue oxford shirt in the living room on a Saturday afternoon when the first telephone call came."

My Take:
This and I Thought You Were Dead, together, should be required reading for anyone who's laying low and convalescing, whether from a stubborn case of bronchitis or from acute heartbreak. What a lovely, understated story of widowhood, grief, loneliness, and ultimately, love. Edward is just so real and likeable; he felt like a distant but kind relative, or the neighbor you always meant to have in for supper. And some of his first forays into dating are both poignant and funny: the businesslike woman with whom he has nothing in common, but who nonetheless expects sex at the end of the evening; the friendly widow who can't stop talking about her late husband and displaying photo after photo of their lives together; the cosmetically-altered, seemingly ageless 70 year old. The supporting cast are also well-sketched, particularly Edward's fragile stepdaughter Julie and tough-old-bird mother-in-law Gladys. I'm even OK with the reasonably happy ending.

#89: I Thought You Were Dead

I Thought You Were Dead, by Peter Nelson 

(Chapel Hill, NC: Algonquin Books of Chapel Hill, 2010)

 Summary:
 "For Paul Gustavson, a hack writer for the wildly popular For Morons series, life is a succession of obstacles, a minefield of mistakes to stumble through. His wife has left him, his father has suffered a debilitating stroke, his girlfriend is dating another man, he has impotency issues, and his overachieving brother has invested his parents' money in stocks that tanked. Still, Paul has his friends at Bay State bar, a steady line of cocktails, a new pair of running shoes, and Stella. Beautiful Stella. With long, sleek legs, kind eyes, lustrous blond hair. Their relationship is the one true bright spot in his world. She offers him sage advice on virtually every topic. And she only wets herself every once in a while.

"Stella is Paul's dog, and she listens with compassion to all his complaints about the injustices of life and gives him better counsel than any human could. In fact, she seems to know Paul better than he knows himself. It's their relationship that is at the heart of I Thought You Were Dead, a poignantly funny and deeply moving story about a man trying to fix his past in order to save his future, and about a dog who understands just what it means to be a man's best friend."

Opening Line:
"In the winter of 1998, at the close of the twentieth century, in a small college town on the Connecticut River, on the sidewalk outside a house close enough to the railroad tracks that the pictures on the walls were in constant need of straightening, not that anybody ever straightened them, Paul Gustavson, having had a bit too much to drink, took the glove off his right hand, wedged it into his left armpit, and fumbled in his pants pocket for his house keys."

My Take:
Surprising. I wouldn't have expected to enjoy a novel that opens with a run-on sentence like this, or one where the protagonist's talking dog is an important character -- but this is a sweet, gentle story about a lonely man at a crossroads trying to come to terms and move forward with his imperfect life. (And the talking dog works, even for a diehard realist like me, if you read it as Paul simply talking to his dog while they're alone, and imagining what she might say if she could indeed respond. Don't all pet owners do this?) Paul's relationship with his struggling father, which evolves primarily over the internet, is especially poignant. His ill-defined relationship with Tamsen is an interesting plot line as well, though I wasn't as satisfied with the way Nelson resolved this one.

#86 Trans-Sister Radio

Trans-Sister Radio, by Chris Bohjalian 

(New York: Random House, 2000)

 Summary:
"When schoolteacher Allison Banks develops a crush on university professor Dana Stevens, she knows that he will give her what she needs most: gentleness, kindness, passion. Her daughter, Carly, enthusiastically witnesses the change in her mother. But a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, overwhelmed by the depth of her love, finds herself unable to leave him—but by deciding to stay she must face questions most people never even consider. Not only will her own life and Carly's be irrevocably changed, she will have to contend with the outrage of her small Vermont community and come to terms with her lover's new sense of self—and hope against hope that her love will transcend their ingrained notions of what it means to be a man and a woman."

Opening Line:
"I was eight when my parents separated, and nine when they actually divorced."

My Take:
This is Bohjalian at his peak, worthy to stand alongside Midwives and The Double Bind rather than the remaindered pale shadows of The Night Strangers and its ilk. The story is narrated from four different perspectives: Allison's, Dana's, Carly's (who opens the book with the line above), and that of Allison's ex-husband and Carly's father, Will. Admittedly, I did predict one of the points in the closing, which was probably supposed to be a twist -- probably just because I've read too many novels by Bohjalian and Jodi Picoult. Not sure I totally buy how calmly both Allison and Carly seem to accept Dana's revelation, but the former, at least, is sufficiently well-explained that it's not wholly ridiculous. And I especially enjoyed the reaction from Allison's school community (parents demanding to have their kids transferred out of her class, a wishy-washy first year principal, etc.). If anything, the book could have used a bit more conflict among the main characters; most of it comes from the school, whereas any friction between the protagonists seems minor and quickly resolved. Still a good read, though.

#85: Lily White

Lily White, by Susan Isaacs

New York: HarperCollins, 1996

 Summary:
"Meet Lily White, Long Island criminal defense lawyer. Smart, savvy, and down-to-earth, Lee can spot a phony the way her snooty mother can spot an Armani. Enter handsome career con man Norman Torkelson, charged with murder; to wit, strangling his latest mark after bilking her out of her life's savings. As the astounding twists and reverses of the Torkelson case are revealed, so too is the riveting story behind Lee's life.


"The critically acclaimed New York Times bestselling author ... Susan Isaacs has crafted her most dazzling novel of manners and morality. Lily White is a brilliantly crafted story of con artists and true lovers, of treachery and devotion -- and of one brave lawyer's triumphant fight for justice."

Opening Line:
"I was never a virgin."


My Take:
Needed something just plain entertaining after the density of 1491 and the often-heavy subject matter of Redemption ... plus, this is a small paperback that won't add much to the weight of my suitcase on the flight home. Should be fun.

(Afterwards) A fluffy, reasonably entertaining airplane read, which is about what I was looking for. Certainly worth the quarter I paid for it at the Boston Public Library book sale, though not one I'll need to keep around now that I've read it once. The book alternates between two stories:  Lily/ Lee's childhood, growing up in the fictional Shorehaven, Long Island in the 1960s and '70s; and the tale of her defending Norman Torkelson. Of the two, I found the former more interesting, but don't know exactly why. There's even a mystery of sorts in Lee's past: Who is the male partner she refers to throughout the book (but never by name), and how did they come together? My suspicions on this point were wrong not once, but three times (sort of), so props to Isaacs on that score -- though I'm not sure I'm 100% pleased with the final answer to this question.

Regarding the Torkelson case, this was a reasonably engaging story in itself. In brief, with no spoilers, even though the prosecution's case against Torkelson looks rock solid, and a professional con man does not the world's most sympathetic witness make, Lee's seen more than enough evidence to convince her that Norman's girlfriend Mary is a far more likely suspect. The trouble? Norman flatly refuses to let Lee talk to Mary, or to offer any defense for himself other than a simple, "I didn't kill her." Is he conning Lee, Mary, or both of them? What's Mary's own angle? And just how accurate are Lee's suspicions?

As I've said of many a book before, serious literature this one ain't -- but if you're looking for something fun to read on a trip, this will suffice.

#81: In the Kingdom of Men

In the Kingdom of Men, by Kim Barnes

New York: Alfred A. Knopf, 2012

 Summary:
"1967. Gin Mitchell knows a better life awaits her when she marries hometown hero Mason McPhee. Raised in a two-room shack by her Oklahoma grandfather, a strict Methodist minister, Gin never believed that someone like Mason, a handsome college boy, the pride of Shawnee, would look her way. And nothing can prepare her for the world she and Mason step into when he takes a job with the Arabian American Oil company in Saudi Arabia. In the gated compound of Abqaiq, Gin and Mason are given a home with marble floors, a houseboy to cook their meals, and a gardener to tend the sandy patch out back. Even among the veiled women and strict laws of shariah, Gin’s life has become the stuff of fairy tales. She buys her first swimsuit, she pierces her ears, and Mason gives her a glittering diamond ring. But when a young Bedouin woman is found dead, washed up on the shores of the Persian Gulf, Gin’s world closes in around her, and the one person she trusts is nowhere to be found.

"Set against the gorgeously etched landscape of a country on the cusp of enormous change, In the Kingdom of Men abounds with sandstorms and locust swarms, shrimp peddlers, pearl divers, and Bedouin caravans—a luminous portrait of life in the desert. Award-winning author Kim Barnes weaves a mesmerizing, richly imagined tale of Americans out of their depth in Saudi Arabia, a marriage in peril, and one woman’s quest for the truth, no matter what it might cost her."

Opening Line:
 "Here is the first thing you need to know about me:  I’m a barefoot girl from red-dirt Oklahoma, and all the marble floors in the world will never change that."

My Take:
An engaging read in spite of the book jacket (which gives away and greatly overemphasizes events that don't take place till much later). The story is less about the disappearance of the aforementioned young Bedouin woman, and more about a very young woman's learning the meaning of marriage, friendship, and independence in a totally alien world. 

#78: Spring Fever

Spring Fever, by Mary Kay Andrews

(New York: St. Martin's Press, 2012)

Summary:
"The New York Times bestselling author of Summer Rental delivers her delicious new escapist novel about small towns, old flames, and deep secrets.

"Annajane Hudgens truly believes she is over her ex-husband, Mason Bayless. They’ve been divorced for four years, she’s engaged to a new, terrific guy, and she’s ready to leave the small town where she and Mason had so much history. She is so over Mason that she has absolutely no problem attending his wedding to the beautiful, intelligent, delightful Celia. But when fate intervenes and the wedding is called to a halt as the bride is literally walking down the aisle, Annajane begins to realize that maybe she’s been given a second chance. Maybe everything happens for a reason. And maybe, just maybe, she wants Mason back. But there are secrets afoot in this small southern town. On the peaceful surface of Hideaway Lake, Annajane discovers that the past is never really gone. Even if there are people determined to keep Annajane from getting what she wants, happiness might be hers for the taking, and the life she once had with Mason in this sleepy lake town might be in her future."

Opening Line:
"From her seat in the sanctuary of the Church of the Good Shepherd, Annajane Hudgens wondered if there had ever been a more flawless day for a wedding."

My Take:
I seem to be saying or at least implying this a lot lately, but meh. I expected fluffy chick lit, sure, but it wasn't particularly original or exciting at that. It's pretty obvious from the very beginning that Celia will turn out to be evil and Annajane and Mason will get back together, and sure enough, they do. The means by which they get there aren't especially novel or entertaining. In short, Summer Rental was much more fun. I came away from this one mostly feeling like I'd read variations of this story many times before.

#76: The Folded World

The Folded World, by Amity Gaige

(New York: Other Press, 2007)

Summary:
"Charlie Shade was born into a quiet, prosperous life, but a sense of injustice dogs him. He feels destined to leave his life of "bread and laundry," to work instead with people in crisis. On his way, he meets his kindred spirit in Alice, a soulful young woman, living helplessly by laws of childhood superstition. Charlie's empathy with his clients—troubled souls like Hal, the high-school wrestling champion who undergoes a psychotic break, and Opal, the isolated young woman who claims "various philosophies have confused my life"—is both admirable and nearly fatal. An adoring husband and new father, Charlie risks his own cherished, private domestic world to help Hal, Opal, and others move beyond their haunted inner worlds into the larger world of love and connection."

Opening Line:
"At the moment she was born, five hundred miles away, a small boy, his mouth ringed with jam, paused in his play on the carpet."

My Take:
(Quickly, as I'm both backlogged and -- having gotten up at 2:45 to catch an early flight -- tired.) OK after a bit of a slow, confusing start, but not exceptional. Yet another meta-critique that may or may not have been what the author intended: for a novel that's all about how there are typically many more facets and much more complexity to an individual or a relationship than what we see on the surface, the novel almost seems too much aware of its own intricacy ... to the detriment of the characters and plot.

#74: The Reader

The Reader, by Bernhard Schlink

translated by Carol Brown Janeway

(New York: Vintage International, 2008, c1997)

 Summary:

"When young Michael Berg falls ill on his way home from school, he is rescued by Hanna, a woman twice his age. In time she becomes his lover, enthralling him with her passion, but puzzling him with her odd silences. Then she disappears.

"Michael next sees Hanna when she is on trial for a hideous crime, refusing to defend herself. As he watches, he begins to realize that Hanna may be guarding a secret she considers more shameful than murder."

Opening Line:
"When I was fifteen, I got hepatitis."


My Take:
Liked the earlier segment of the story, in which Michael and Hanna become unlikely but passionate lovers despite Hanna clearly having some skeletons in her closet (and frankly, if she's a 36 year old woman having a clandestine affair with a 15 year old boy, doesn't this almost go without saying?) rather more than the later, in which Michael is a grown man studying law and Hanna on trial for war crimes. Maybe that's because I'd figured out Hanna's secret fairly early on, so the big reveal didn't have the punch it might. Maybe it's because I've read rather a lot of World War II novels (which would be screamingly obvious to my readers if I actually had any), and while the events of which Hanna is accused are certainly horrific, neither the Nazi atrocities nor the legal drama was the most compelling example of their genres that I've ever read. To be fair, both might read better a) in the original German, and b) to someone more intimately familiar with German culture and how WWII has affected subsequent generations. A well-written book with interesting imagery, even in translation, but not quite all I'd hoped for.

#68: The Piano Teacher

The Piano Teacher, by Janice Y. K. Lee

(New York: Penguin Books, 2009)

 Summary:

"In the sweeping tradition of The English Patient, Janice Y.K. Lee's debut novel is a tale of love and betrayal set in war-torn Hong Kong. In 1942, Englishman Will Truesdale falls headlong into a passionate relationship with Trudy Liang, a beautiful Eurasian socialite. But their affair is soon threatened by the invasion of the Japanese as World War II overwhelms their part of the world. Ten years later, Claire Pendleton comes to Hong Kong to work as a piano teacher and also begins a fateful affair. As the threads of this spellbinding novel intertwine, impossible choices emerge-between love and safety, courage and survival, the present, and above all, the past"

Opening Lines:
"It started as an accident. The small Herend rabbit had fallen into Claire’s purse."

My Take:
This was another of those novels that I expected and really wanted to like more than I did. On paper the plot has promise: What will become of the rarefied world Will and Trudy inhabit (though neither really fully belong) as the war comes ever closer? What's happened to Will between the earlier, 1942-43 story line and the 1953 one featuring Claire that keeps him in Hong Kong, now as the Chens' remarkably underutilized chauffeur?

Trouble is, at least from my vantage point, it doesn't quite deliver. We learn what happens to all these people, of course, and naturally, this being a war story, some of the answers aren't pretty. But it didn't feel like we learned enough about what made the principal characters tick to really picture them in these harrowing settings and make us see the events through their eyes. Claire's pilfering habit (not a spoiler, as you learn about it somewhere around the first chapter) is interesting, but Lee barely scratches the surface of why she starts or what the purloined objects mean to her. We're told that her marriage to husband Martin is safe, conventional, and, well, not very exciting, but we don't see enough of Claire to understand exactly what she wants beyond that. Likewise, Will is a promising character I never really felt like I understood. As a prisoner of war, he shows not quite heroism, but a quiet, understated integrity and strength ... which doesn't quite jibe with how passive he seems in his relationship with Trudy.

Perhaps there's some meta-commentary here, but I found myself feeling like I imagine Lee's two chief European characters felt in Hong Kong: like a fish out of water, with things not quite fitting together as you'd expect. Not awful, and maybe I'm just not getting it, but the book didn't really resonate with me, either.

#62: The Wolves of Andover

The Wolves of Andover, by Kathleen Kent

New York: Reagan Arthur Books/ Little Brown and Company, 2010

 

Summary:

"In the harsh wilderness of colonial Massachusetts, Martha Allen is forced to take work as a servant in her cousin's home. Unwed and, at nineteen, considered by most a spinster, Martha locks wills with everyone around her -- including Thomas Carrier, the unusually tall and resolutely silent hired worker whose stubborn independence matches her own.

"There are whispers about Thomas's mysterious past and what role the taciturn 'giant' many have played in the English Civil War, which ended with the execution of King Charles I. As Martha comes to know him, she discovers a companion who respects her own outspoken nature and in whom she can confide the dark secrets of her youth. But in the rugged new world they inhabit, danger lurks both near and far. In London, King Charles II is conspiring with his lords to assemble a band of assassins to kill the man suspected of executing his father. Before long, they will arrive in New England to hunt down the man who cut off the head of a king. And at home, wolves -- in many forms -- are hungry for blood. As Thomas reveals to Martha his days as a soldier in England, she comes to see him as a kindred spirit, even as she realizes his secret will place her, and her loved ones, in danger."

Opening Line:

"The woman worked her way out of the crowd, grabbing Cromwell by the cloak, and pulled at it until he turned to face her."

My Take:

OK, something about that opening line just reminds me more than a little of Ellen in the first pages of Pillars of the Earth. That said ...

Slightly slow to draw me in (the colonial era isn't usually my favorite for historical fiction) but a compelling story once it did. Loved Martha's character and what we get to know of Thomas, who remains more than a bit of a cipher even at the end. Daniel, husband of Martha's cousin Patience and head of the household where Martha and Thomas work, turns out to have a few surprises up his own sleeve, too. Engaging and substantive read.   

#60: A Slipping-Down Life

A Slipping-Down Life, by Anne Tyler

(New York: Ivy Books, 1992, c1970)

Summary:

"The story is based on a young girl called Evie Decker who we are told in the first page of the novel is not musical. She develops an attachment however for a rock and roll singer who is called Drumstrings Casey. She begins to follow him around to all the places where he sings. He pays no attention to her and so she decides to do something dramatic.

"We are told how one night while he is playing in a club she appears with the name Casey etched on her forehead. As a result he begins to notice her, but he despises her ... . He is egotistic and concerned with furthering his own career. He plays with one man who is a drummer and who decides to act as his manager. This man is called David and he offers Evie the chance to help Drumstrings in his singing career by attending all the concerts and showing to the crowd what one woman will do for a singer. ..."


Opening Lines:
"Evie Decker was not musical. You could tell that just from the way she looked -- short and wide, heavy-footed."


My Take:
This one's a first:  the first book I read on my new, early birthday present Kindle. (Thanks, Mom.) Honestly, I think I still prefer the feel of an old-fashioned paper-and-ink novel, but the Kindle does have its place. When traveling, for example. (Though I do remember hearing some airplane neighbors on a recent flight commiserating about how hard-core readers still need to bring a non-electronic book on flights, for that takeoff and landing period when no electronic devices at all are allowed, period, the end.) 


Anyway, I read Slipping-Down Life on the train to and from Providence last weekend, and knew without checking the publication date that it must have been an early Tyler novel. There's not the depth and complexity of, say, Noah's Compass or Digging to America. It's also notably shorter than most of the Tyler books I've read, though I didn't have any pages to hold and compare so part of that may have been a function of the simpler story line needing less time and attention. Nonetheless, there are moments when Tyler even here captures small details just perfectly: the awkwardness of Evie and Violet's first trip to a rock show, for example, or the thoughtless cruelty of how Drum speaks to Evie in a key scene later (details deliberately vague to avoid spoilage). 


All in all, glad I checked this out of the library rather than buying it, as I don't think it merits repeat readings, but it was about what I wanted for an hour-long, not very scenic train ride on an overcast day. 

#59: A Map of the World

A Map of the World, by Jane Hamilton

(New York: Doubleday, 1994)

 Summary:

"The book is concerned with how one seemingly inconsequential moment can alter lives forever. Alice Goodwin, mother of two, school nurse and wife of an aspiring dairy farmer in Wisconsin, is getting ready to take her two daughters and her best friend, Theresa's two little girls to their farm pond to swim. When she goes upstairs to find her bathing suit, Lizzy, Theresa's 2-year-old, slips away to the pond and drowns. It all goes downhill from there. The town tramp, whom Alice reprimanded for constantly bringing her sick son to school, accuses Alice of molesting her child. The entire town turns on the Goodwin family, fairly new to the area, and several other mothers come forward with tales of Alice's 'abuse'. Imprisonment, trial and loss of the farm ensue and Alice's husband and Theresa become 'involved.'

"The novel is essentially about a search for authenticity in the contemporary American midwest. A couple struggles to maintain their lives on a farm, keep to ethical practices of both farming and living, and to raise their two young children, but American society stymies their efforts. The novel is an indictment of the U.S. legal system, which works with the subtlety and mercy of a sledgehammer; the farming system, which values dollars over good food and the environment; and the American idea of marriage, which is falling apart from its own internal contradictions. However, the novel manages to be very funny throughout. Its humor comes out not just in the wicked, scathing sentences of its first third, told in a voice that one imagines is close to the author's own, but also in the structural choice of placing section two in the voice of the hilariously but tragically non-verbal husband. The contrast between husband's and wife's thinking is far more eloquent and entertaining than the recent popular psychological studies on the subject of male-female mental processes. Also included: the annoyingly efficient but oblivious mother-in-law, class and race differences but from a female perspective, and the politics of a small town."

Opening Line:

"I used to think if you fell from grace it was more likely than not the result of one stupendous error, or else an unfortunate accident."

My Take:

Yay! Once I finish this entry I'll be up to the book I'm currently reading.

Beautiful. Absolutely beautiful.

#58: The Inhabited World

The Inhabited World, by David Long

(Boston: Houghton Mifflin, 2006)

 Summary:
"Evan Molloy -- a son, husband, and stepfather -- fatally shot himself but doesn"t know why. He is now stuck in a state of purgatory in the house in Washington State where he lived and died. Currently, a woman named Maureen Keniston lives there. She is in her late thirties and is trying to restart her life after breaking off a long affair with a married man. The novel moves back and forth between the story of Evan"s increasingly troubled life and Maureen"s efforts to emerge from her own purgatory. In watching Maureen's struggles and ultimate triumph, Evan comes to see his own life and death in a completely new way."

Opening Line:
"When he looks at his hand, he sees the hand he remembers -- ropy branching veins, a ridge of waxy skin on the inside of the wrist were he fumbled a glowing iron rod at his father's forge one afternoon in 1966."

My Take:
I've said it before, but meh. Very slow. Either I didn't get something at the end (perhaps I'd already gotten bored and wasn't paying sufficient attention) but it seemed as though nothing happened. Not one of my favorites.

#50: Home Front

Home Front, by Kristin Hannah (New York:  St. Martin's Press, 2012)

Summary:
"All marriages have a breaking point. All families have wounds. All wars have a cost…


"In her bestselling novels Kristin Hannah has plumbed the depths of friendship, the loyalty of sisters, and the secrets mothers keep. Now, in her most emotionally powerful story yet, she explores the intimate landscape of a troubled marriage -- with this provocative and timely portrait of a husband and wife, in love and at war.


"Like many couples, Michael and Jolene have to face the pressures of everyday life — children, careers, bills, chores — even as their twelve year marriage is falling apart. Then an unexpected deployment sends Jolene deep into harm’s way and leaves defense attorney Michael at home, unaccustomed to being a single parent to their two girls. As a mother, it agonizes Jolene to leave her family, but as a soldier she has always understood the true meaning of duty. In her letters home, she paints a rose-colored version of her life on the front lines, shielding her family from the truth. But war will change Jolene in ways that none of them could have foreseen. When tragedy strikes, Michael must face his darkest fear and fight a battle of his own -- for everything that matters to his family.


"At once a profoundly honest look at modern marriage and a dramatic exploration of the price of war on an ordinary American family, Home Front is a story of love, loss, heroism, honor and ultimately, hope."

Opening Line:
"On her forty-first birthday, as on every other day, Jolene Zarkades woke before the dawn."

My Take:
Chick lit that doesn't leave you feeling like you've overindulged in Haagen-Dasz when you're done. A good beach or airline read.  

#48: Another Piece of My Heart

Another Piece of My Heart, by Jane Green (New York: St. Martin's Press, 2012)

Summary:
"Andi has spent much of her adult life looking for the perfect man, and at thirty-seven, she's finally found him. Ethan--divorced with two daughters, Emily and Sophia--is a devoted father and even better husband. Always hoping one day she would be a mother, Andi embraces the girls like they were her own. But in Emily’s eyes, Andi is an obstacle to her father’s love, and Emily will do whatever it takes to break her down. When the dynamics between the two escalate, they threaten everything Andi believes about love, family, and motherhood—leaving both women standing at a crossroad in their lives…and in their hearts."

Opening Lines:
"The sheets are drenched. Again. Andi takes a long time to wake up, drifting in and out, aware she is hot, then freezing, then finally, when she moves into a state of consciousness, wet."


My Take:
Entertaining but forgettable fluff. (I think this and the next few were the result of a brain-dead phase I had, after a missed connection and a hellacious night in Newark stole half of a precious weekend home with my family.) Till I looked up the title online and read the jacket blurb (the book itself's been returned to the libe long ago) I'd forgotten exactly which one this was. The character's names and a vague memory of reading it in JFK and/or the Syracuse airport brought it back a little ways, but there's not much else I can say about it. The literary equivalent of a movie you won't bother going to see in the theater, but would watch at home some night when there's not much else on.

#47: Dedication

Dedication, by Emma McLaughlin and Nicola Kraus (New York: Atria Books, 2007)

Summary:
"What if your first love left town, without a word to anyone, days before graduation?

"What if he went on to become one of the biggest recording stars on the planet and every song he’s famous for is about you? What if, after thirteen years of getting on with your life – walking past his face on newsstands, flipping past his image on TV, tuning him out on the radio – you get the call that he has landed back in your hometown for an MTV special two days before Christmas?  What if you finally had the chance to confront him?  What would you do?


"Kate Hollis finds herself on the threshold of her thirtieth birthday, about to discover that the only way to embrace life as a fully-fledged, well-adjusted adult is to re-visit seventeen."

Opening Lines:
"'He's here.'
 "'Laura?' I ask into the phone, disoriented, voice sandy with sleep."

My Take:
Saturday of my first weekend in Boston was wet, wet, wet. As in, the 40 days and 40 nights kind of rain. OK, maybe it was closer to 4 hours, but I still don't think I could have gotten any soggier even if there had been an ark instead of just a parade of duck boats swimming by. It only hit me that morning that I'd left both my raincoat and all my umbrellas back home in NY.

About 5 minutes later, it dawned on me that I might would get wet if I went out anyway, but I was about as certain to get weepy and fragile and withdrawn if I just sat here alone in my conveniently-located but poorly lit apartment, and ... well, wet stuff dries. So I set off down Charles Street with an adventurous spring in my step, snapping artful pictures of puddles and park benches with my iPhone. I fueled up for my trek beneath the tin-punched ceilings of Panifico and vowed to walk off my delicious but generous plate o' hash before I went back home. I fell in love with Commonwealth Avenue and its memorials on every corner, flanked by the hundred-year-old townhouses with their curved fronts and indecorous flower boxes who seem to be Boston's true grandes dames. I stumbled across a Marshall's incongruously planted between a Talbot's and a La Perla, finally brought an umbrella after I was drenched enough for my hair and jacket to drip a path through the store, and told myself the funny looks I imagined getting from the Back Bay Brahmins (well, any who'd wandered into Marshall's by mistake on their way to the Kate Spade in the next block) would make for a colorful story.

And since I was right there on Boylston Street anyway, and it was a rainy day, I found myself in Copley Square across from the Boston Public Library, which just happened to be having a book sale that day. You can guess where this is going. For a dollar or in some cases (i.e., if you ain't too proud to read anything from the paperback romance boxes) a quarter apiece, I could stock up on fun reads aplenty. Most are still in the apartment unread, but I did read Dedication (you knew I'd get there eventually, right?) a few weeks ago.

Decent, but I fear McLaughlin and Kraus may always suffer from the fact that they'll never write another Nanny Diaries. Dedication was pretty good, a fun read ... but I felt like I was meant to empathize with Kate a lot more than I did. Wondering about an old flame, especially if he's gone off and become famous? No personal experience but I can imagine how it might work. But the degree to which it's become an obsession, and to which it's been The Only Thing Jake seems to have written about over the years? Not feeling it. Worth what I paid for it, I guess, but not really funny or moving enough to keep it on my shelf long-term.

#45: All Other Nights

All Other Nights, by Dara Horn (New York: W.W. Norton & Co., 2009)

Summary:

"'How is tonight different from all other nights?' For Jacob Rappaport, a Jewish soldier in the Union army during the Civil War, it is a question his commanders have already answered for him -- on Passover, 1862, he is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn’t to murder the spy, but to marry her. Their marriage, with its riveting and horrifying consequences, reveals the deep divisions that still haunt American life today.

"Based on real personalities like Judah Benjamin, the Confederacy’s Jewish Secretary of State and spymaster, and on historical facts and events ranging from an African-American spy network to the dramatic self-destruction of the city of Richmond, All Other Nights is a gripping and suspenseful story of men and women driven to the extreme limits of loyalty and betrayal. It is also a brilliant parable of the rift in America that lingers a century and a half later: between those who value family and tradition first, and those dedicated, at any cost, to social and racial justice for all.

"In this eagerly-awaited third novel, award-winning author Dara Horn brings us page-turning storytelling at its best. Layered with meaning, All Other Nights presents the most American of subjects with originality and insight -- and the possibility of reconciliation that might yet await us."

Opening Line:

"Inside a barrel in the bottom of a boat, with a canteen of water wedged between his legs and a packet of poison concealed in his pocket, Jacob Rappaport felt a knot tightening in his stomach -- not because he was about to do something dangerous, but because he was about to do something wrong." 

My Take:

Here's one I wish I'd reviewed for real shortly after I finished it, because I remember really liking it but can't remember enough details to offer a useful review. If the jacket blurb above intrigues you and you're a fan of Civil War fiction that's not the same old thing, check out Wendy Smith's Washington Post review, or just check out the darned book.